URBAN MANNERS
Contemporary Artists from India

SHEBA CHHACHHI, ATUL DODIYA, ANITA DUBE, PROBIR GUPTA, SUBODH GUPTA, JITISH KALLAT, REENA KALLAT, RANBIR KALEKA, BHARTI KHER, NALINI MALANI, RAQS MEDIA COLLECTIVE, RAGHUBIR SINGH, VIVAN SUNDARAM, HEMA UPADHYAY, AVINASH VEERARAGHAVAN

Curated by Adelina von Fürstenberg

Probir Gupta,
“The White Man’s Paranoia”, 2005 (left)
and “This is Not a Pipe”, 2005 (right)

Ranbir Kaleka, “Man with Cockerel”, 2001 - 2002

Left: Raqs Media Collective, “They Called it the XXth Century”, 2005
Right: Bharti Kher “The skin speaks a language not its own”, 2006

Raqs Media Collective, “They Called it the XXth Century”, 2005

Panoramic shot
Foreground:
Subodh Gupta, “The Way Home”, 1998 - 1999
Left:
Subodh Gupta, “Fly with Me”, 2006
Background from left to right:
Probir Gupta “The White Man Paranoia”, 2005
and Anita Dube “Phantoms of Liberty”, 2006 - 2007

Panoramic shot
Foreground:
Subodh Gupta, “The Way Home”, 1998 - 1999
Right:
Avinash Veeraraghavan, “I Love My India”, 2002
Background:
Raghubir Singh, series of C-prints

Foreground:
Avinash Veeraraghavan, “I Love My India”, 2002
Background from left to right:
Raghubir Singh, “Crawford Market, Mumbai, Maharashtra”, 1993;
“Women and Rickshaw Driver, Benares, Uttar Pradesh”, 1984;
“Subhas Chandra Bose Statue, Calcutta, West Bengal”, 1986;
“Barber and Goddess Kali, Calcutta, West Bengal”, 1987

Anita Dube, “Phantoms of Liberty”, 2006 - 2007

Vivan Sundaram, “12 Bed Ward”, 2005

Panoramic shot
Left: Subodh Gupta, “The Way Home”, 1998 - 1999 and “Fly with Me”, 2006
Right: Raghubir Singh, “Visitors to the Taj Mahal”, 1992

Panoramic shot
Foreground: Raghubir Singh, series of C-prints
Background: Jitish Kallat, “Public Notice – 2”, 2007

Sheba Chhachhi, “Winged Pilgrims:
A Chronicle from Asia”, 2006 - 2007

Foreground:
Nalini Malani, “Mother India: Transactions in the Construction of Pain”, 2005
Background: Jitish Kallat, “Public Notice – 2”, 2007

Nalini Malani, “Mother India: Transactions in the Construction of Pain”, 2005

Panoramic shot
Foreground:
Hema Upadhyay, “Loco-Foco-Motto”, 2004 - 2007
Background:
Raghubir Singh, series of C-prints

Hema Upadhyay, “Loco-Foco-Motto”, 2004 - 2007

Foreground:
Atul Dodiya, “Broken Branches”, 2003
Background:
Hema Upadhyay, “Loco-Foco-Motto”, 2004 - 2007;
Jitish Kallat, “Public Notice – 2”, 2007;
Raghubir Singh, series of C-prints

Atul Dodiya, “Broken Branches”, 2003

Foreground:
Reena Saini Kallat, “Walls of the Womb”, 2007
Background from left to right:
Raghubir Singh,
“After an Accident, Grand Trunk Road, Bihar”, 1981;
“From a High-rise, Shivaji Park, Mumbai, Maharashtra”, 1991;
“Employees, Morvi Palace, Gujerat”, 1982

Reena Saini Kallat, “Walls of the Womb”, 2007

Jitish Kallat, “Public Notice – 2”, 2007

Panoramic shot